Tag Archives: Art

The Grinning Man: Questions for JD Wilkes

By Jesse Davidson

 

If I’ve ever met a renaissance man, it has been JD Wilkes. After seeing a performance that brought an Iggy Pop like presence to the stage. Later I would learn of the many accomplishments of Mr. Wilkes such as his drawing, painting, and filmmaking abilities. Also, to my knowledge, he is the first real live Kentucky Colonel I’ve met. So with out further ado, here is some questions we had for Col. JD Wilkes.

 

Jesse: How has this tour and album cycle been going for the band so far?

 

Wilkes: So far so good! Lotsa great shows and press. Nine days away from home. Seems an eternity.

 

Jesse: After getting to experience the Shack Shackers live for the first time, I’ve been learning about the various artistic projects you have going and the list of artists you’ve played with as a musician. Has this work ethic always been with you or has it developed over time?

Wilkes: I go in spurts. It’s not a steady stream of constant work, but I will never turn down an opportunity that comes along. I’ve been at it twenty years or more, so anyone’s accomplishments would add up over that much time.

But yes, I’ve always been ambitious, yet super distracted by other interests and flights of fancy. I’d be a lot further along if I was just good at one thing and one thing only.

 

Jesse: Do you have a specific practice routine for all of your talents?

 

Wilkes: I don’t practice as a discipline, I just play a lot because it’s fun. Anything I’m into at the time I tend to go overboard with. I have these little obsessions that come and go. So when I “practice” it’s really just me sinking hours into something I’m really excited about. It never feels like work.

 

Drawing by JD Wilkes
Drawing by JD Wilkes

 

Jesse: Among your many accomplishments, you’re a Kentucky Colonel. Can you tell us about how that came to be?

 

 

Wilkes: I was nominated in secret by another Colonel who told the governor about my contributions to Kentucky’s arts. Specifically, harmonica music I recorded for a public radio piece on Stephen Foster, of all things.

 

 

Jesse: Can you take us through the process of writing “Barn Dances and Jamborees Across Kentucky“?

 

 

Wilkes: I took off on several excursions around and across Kentucky, taking along a notebook, a computer and some harmonicas. I tried to locate as many of the old barn dances that were still going on, sit in with the musicians, jot down my notes and type it out later. There are so many spots out there I have yet to document. Luckily I can update my book with each reprint!

 

Jesse: In what ways has growing up and living in the south influenced your artistic vision that you couldn’t receive from anyplace else?

 

Wilkes: The south is uniquely rustic, traditional, obstinate and yet multi-racial/cultural. There was a natural “hot house” flourishing of culture that went on there despite what Hollywood tells us. Bluegrass, Rockabilly, Old-time, Piedmont Blues, and New Orleans jazz are all examples of cultural interplay. Our cuisine is an example of that too. All of this makes us the secret envy of the world, which is why they disdain us.

I also like the isolation the Appalachians once provided. It acted as a deep freeze of old Scots Irish and English sayings, accents, folklore and ballads. Even the mountains boasted a strange hodge-podge of races: English, Scots/Irish, German, African blacks, Cherokee Indians, Melungeons (Turk/Portuguese), and even the Fugate “blue people”!

What’s not to love and be utterly fascinated by?!

 

Photo by Jared Manzo
Photo by Jared Manzo

Jesse: Has being an artist changed your view on society and humanity?

 

 

Wilkes: No, I don’t think art has done that. Life tends to do that no matter what you do. Perhaps being in “the arts” exposes me to other ideas, but TV and the internet do that too. I think I am confirmed in the fundamentals of my original assumptions more and more each day.

 

 

Jesse: Is there anything creatively you’d like to try that you haven’t yet?

 

 

Wilkes: I want to get my novel published, perhaps illustrate it as a full graphic novel one day. I’d like to get back into painting. I’d also like to complete the sequel to my film “Seven Signs”. That’s my To-Do list.

 

Jesse: Any upcoming news or information on the Shack Shakers you’d like us to know about?

 

Wilkes: Touring Europe next month! Back down south early 2016. Dirt Daubers tour in June.

 

 

Jesse: Lastly, do you have any advice for upcoming artists and musicians?

 

Wilkes: Don’t do it unless you’re already rich and beautiful. I got into the racket before the Millennials came of age and started demanding all artists be supermodels.

You will get paid more to be just a “DJ”, squiggling your finger across the screen of an iPad at a rave.

Get out while you can!

 

Jesse: Thank you so much for taking time to talk to us and for playing the Antelope Valley!

 

Wilkes: My pleasure!

 

If you haven’t checked out the Legendary Shack Shakers or JD Wilkes, do it right now.

Their new album, The Southern Surreal is out on Alternative Tentacles now

The+Southern+Surreal+-01

The Reality of Freedom

Abstract Art by Michael Jones
Abstract Art by Michael Jones

by Jesse Davidson

Many people think freedom is just a seven-letter word for trying to find the edge just before you fall off. Sometimes it’s taking the leap over the edge. It’s been being bold enough to not be a mouthpiece for anyone else’s vision but your own. It could be a search to find the light or settle into darkness. For some, freedom is just a seven-letter word. There has never been a more contentious, dangerous and beautiful idea in the history of civilization than freedom. Freedom, by this nature is a walking contradiction that can be both beautiful and dangerous. It seems ever since we could think critically; we’ve been on a search to be free. Through all kinds and all times, we’ve generally wanted the freedom to expand our lives in various ways. Freedom to explore, create, to express yourself without limitations, believe in God (or not) without fear of reprisal, freedom to be curious, to love one another, or any other aspect of society where some force could keep someone else from these things. Now since the world is such a diverse place, this article must be written from my perspective; a twenty three year old American male from a middle class background. I don’t believe this is a hindrance in writing this article but it certainly is only one side of the coin. How in the world would I know what an aboriginal tribesman in Papua New Gunea or a peasant in India feels about the concept of freedom? There’s no way I can represent that view. However, I can provide an objective outlook on freedom, with my perspective, to the best of my ability.

 

To begin this examination of freedom, we must look at its roots. I’m not speaking of historical roots, as important as they may be. In this case, I’m speaking of personal freedom. This is the crux of the argument as personal freedom as it’s the most subjective aspect listed above. Everyone will have a different idea of what it means to be free. Especially in America, ideas of freedom will clash in eventful and non-eventful ways. Everyday, clashes will go by without being documented or published. Maybe an eighteen year old who just graduated is arguing with his parents about his future. Perhaps a woman was called to Pastor a church but members of her congregation don’t see that as an appropriate option. This is where a large portion of this conflict lies. Who is to say what’s right when no one is wrong? As a society, we’ve determined what people are and aren’t allowed to do with their personal freedom. But socially, on a person-to-person basis, conflict will still arise. When society reinforces a specific behavior or though patterns, it makes it exponentially difficult for personal freedom to take root. As an example, it’s a perfectly acceptable activity, in Middle America, to go to a party on a Friday night and drink a whirlwind of alcohol and smoke a forest of marijuana until you pass out. But not until enough iPhone photos and future YouTube videos are taken to ruin future employment. It is also perfectly acceptable to become acquainted with women that after a few hellos, two bowls of frozen yogurt, and one movie night in a house where no one is home, you can have sex with them as much and frequently as the two parties wish to do so. Now this begs the question, is that freedom? The answer is yes, for now. Is it real freedom? No. Freedom should be able to let a person expand himself or herself and grow over time. As fun as this lifestyle is and is reinforced by the ad space on t-shirts across the country, this not real freedom. When a young person thinks outside the box and takes a stand against this ethos, they can be met with a cater wall of insults and about a million different ways to express how “lame” you truly are. For merely thinking outside the box and what booze wants my generation to do, this mentality can be met with much ridicule, depending on who your friends are. Now is going against the status quo represent freedom? Absolutely. The difference between the two is driving on an open road and cul-de-sac. With the party lifestyle, friends will be made and good times will be had right now. But then what? If you want to drive anywhere else on that street, it’s a dead end. On the other side, if the status quo is rejected and individual values and attitudes are formed, it’s like an open road. It might be less exciting at times but it can take you anywhere you want to go.

 

When I first attended Antelope Valley College, I didn’t know what I wanted to major in. After taking several classes in the program, I decided to major in Commercial Music. Although I was met with support, there was an equal amount of weird looks, changing of discussion about how great the Science program is, and overall subconscious message of “Good luck starving to death”. Since my high school years, it seems like America has had a stalled car in our streets called science and we’re trying to recruit all the help we can get to push it to the side of the road. Unless someone has a clear vision for what for what the future should be, it seems dramatically unfair to influence people this way. As more funding to the arts is cut across America and more focus is placed solely on math and science, it appears we’re doing nothing more than breeding a generation who will be very intelligent but won’t be able to think creatively to solve complex problems. Or challenge a society that expects people to follow certain paths.

 

As stated previously, freedom is a walking contradiction that is going to naturally conflict with other people and their ideas of what freedom means. In the sixties, hippies believed free love was their idea of what freedom meant. Their parents believed having a nuclear family with a white picket fence was the pinnacle of freedom. In modern day society, the gay couple that will finally be able to get married will feel very free at this moment while members of certain groups may feel as they are being oppressed by the very idea of gay marriage. Especially in America, freedom is like bebop jazz. Sometimes it will be beautiful and sometimes it seems like a chaotic mess. This is okay. That’s part of the beauty of our society that most people don’t understand. America is like a giant social experiment that has been happening 24 hours a day, seven days a week, and for hundreds of years now. As people become more afraid of each other and themselves, maybe we’ll move toward a society like futuristic London in Brave New World. Everyone gets all the pleasure and the comfort of a free society but in reality, they aren’t free at all. As soon as the mold is broken or the status quo is shattered, people will reject you and throw you aside. If freedom is allowed to develop uninhibited, in a non-harmful way to others, it can be a beautiful thing. In reality, freedom is just a tool that allows individuals to be themselves. This is nothing to be afraid of. Maybe if we can learn to let go of our fear of real freedom, we can have a real brave new world.

 

 

Past + Present: Art and Music in the Antelope Valley

Art by GONGCO
Art by GONGCO

By GONGCO

https://www.facebook.com/G0NGC0

 

 

If music is a form of art, then are all musicians artists? They’re often discussed as two separate forms of creative expression, yet they go together so naturally that we don’t really think about it. Artists are typically called upon if a band needs album artwork created, a music video directed or a promotional flier designed. More often than not, creative expression is a communal effort. There is a continuous gust of imagination blowing throughout our shared empty space. Whether we are the creators, volunteers, or supporters – our contributions, however small/large/vague, help the processes of creativity flowing steadily in our dry corner of Los Angeles County.

 

Visual art, punk rock and Skateboarding

In the 1980’s, downtown Palmdale had everything  in one spot. Aside from Rick’s Record Store, the best spot was Bicycle Radness. My first brush with punk rock happened during a Powell-Peralta skate demo there. I got to see a few of my skate heroes along with the dude who played Harry from Harry and the Hendersons . Beyond skateboarding, I looked deeper into shirt, deck and sticker designs and found inspiration from artists like C.R. Stecyk III  and VCJ . Similarly with art in music, I dug deeper and discovered artists like Raymond Pettibon , Parched Art and even paintings from Captain Beefheart.

 

 

Art by GONGCO
Art by GONGCO

 

D.I.Y.

With all of these forms of expression going around, it was punk rock that fueled the inspiration. I quickly shelved my Dr. Demento and Monkees records (though, not for too long) in favor of this “new” stuff. Not only was it easy to play, but you didn’t need the Steely Dan-level production value either. If you had the idea, it was up to you to make it happen and creatively share it with your friends. https://www.facebook.com/TheNarcTwins/info?tab=page_info

 

I associated these philosophies with the heroes I invested so much time learning about, but what had more of an impact on me was seeing it with my own eyes in my own community. Below are a few examples of local bands or shows that inspired me to continue to create art in the Antelope Valley.

 

 

Funcondump @ Pink Rebellion

 Funcondump @ Pink Rebellion 

I can’t remember if the Pink Rebellion was an ongoing event or a one-off, but it was the first time I saw people displaying art at a show-setting. It took place at the Cedar Hall in the very-late 90’s/early-aughts and was my first introduction to the Cedar Center . This show was the second time I saw Funcondump, Inc.— the first time was at a small bar in Palmdale called Louisiana Hots. I saw local bands Airplanes, Dead Rats and bands from beyond the A.V. like Cinema Strange. One particular show was also a premiere of an animated music video by a local video artist. It was like the chicken or egg thing, but with artistic expressionisms.

 

 

leiaSLUT

Leia:SLUT  

 

Throughout the above video, you can spot a sign for “Blvd Music Showcase.” I wish I knew more about what this place was and who has played there — especially if there were more performances like the one above by Leia:SLUT. This show in particular contains costumes, set design, story lines as well as the music itself. The crème de la crème of quality entertainment in my book.

 

 

Local Television and Radio Broadcasting

dumpsterpiecetheatre

 Dumpsterpiece Theatre 

 

Dumpsterpiece Theatre was broadcasted on live television every week out of KPAL studios in Lancaster. Each episode contained a feature film with facts, live music and improvisational skits, and a bunch of zany stuff. After each episode ended, I’d have to channel surf or spend more time training my brain to unscramble late-night HBO. That is, of course, until one of the number of late-night music TV shows came on, not unlike something off the Dope Guns and Fucking Up Your Video Deck series . The show times were sporadic, but it was here where I’d discover all the music videos that MTV was hiding from me.

 

Today though we have local news on Channel 3 as well as Palmdale Channel 27 and Lancaster Channel 28, you still need to pay Time Warner some pretty mega moola to access it. Unlike in Los Angeles where a lot of channels are offered for free over-the-air. Time Warner’s Channel 3 is also barely 40% local news and is repeated all day with very little (if any) attention paid to local arts and music. There are people working on creating a local studio space (http://coastalgold.tv ) for local television again and I wish them the best of luck.

 

 

Radio Freed Your Hope 

For a moment, there was High Desert Modern Rock 97.7 in the Antelope Valley. One time, their sticker was featured on Beverly Hills 90210 and I think it was the episode with The Cramps in it I remember listening to the broadcast as the station faded out; really sad stuff. Shortly after, there was Mono FM. Very much like the P@#&@#@ and $P@#!#& of its day, except songs were listed on the Mono FM website and you could request them. It was an indie radio station where the community was the DJ.

 

I just checked whatever was on 97.7 now and it’s a lot of twangy boringness. Today we have so many options: lots of great Podcasts, Youtube, iTunes and one of the thousands of streaming audio sites with a business model of sharing data-driven algorithmically-sorted inferior-fidelity files. With the announcement of Apple Music and its focus on live “DJ-curation” you can see the digital media backpedaling. Our local radio should give equal representation to our own artists than the ones who have the money to pay (or are willing to sacrifice more) for “exposure.” As for now, Chris Compton of KXFM 96.7FM does an excellent job on his own local morning show (and usually on the weekends, too).

 

 

Brick and mortar 

Op.AnalProbe

 Operation Anal Probe @ Crosstown Records, Lancaster. 05-26-07 

 

Right where the Ralphs used to be on 20th Street West and Avenue L, there was a tiny record store in the corner called Rave Up Records. If they didn’t have it used at the Wherehouse, Blockbuster Music, Barnes & Noble or Best Buy, you could at least order it at Rave Up and not feel the guilt associated with purchasing indie music at mega-corporate chains. Plus, it was a place where I could pick up local vinyl. It was where I bought the Fed Up 45 (which I unfortunately traded a couple weeks later for a Voodoo Glow Skulls CD)

 

After all the mega-chains put Rave Up out of business, they too went out of business and abandoned even more high-priced real estate. Thankfully, a few years later, Crosstown Records opened up on K and Challenger next to the Tokyo Steak House. This shop was comparable to most shops in L.A. in selection, plus they frequently had live performances. I would spend a lot of time talking to Terry (who owned Crosstown with his wife) about all genres of music, though we mostly talked about late-70’s British Power Pop bands like The Boys and Eddie and the Hotrods . It was where I was introduced to locals The Resistors and Sex Conscious Young Moderns (featuring a member of one of my favorite local bands at the time, Hoomdorm).

 

Though Crosstown is no longer around (Terry still buy/trade/sells at the Pasadena Rose Bowl Flea Market), Wayne Tarasoft opened up Full Score Music on Avenue L and 45th Street West. Wayne has one of the best collections of Beefheart/Zappa available, plus he offers lessons and sells new and used instruments which comes in handy if you need money to purchase music like a good human being. With a Wienerschnitzel in the same parking lot, it’d be cool to have parking lot shows there.

 

Rapping It Up 

SkrillMeadow

 Skrill Meadow @ Lancaster Moose, 06-17-14

 

 

Growing up in the Antelope Valley, I was lucky to have older friends and relatives introduce me to outside culture, but amongst all my long-distant punk heroes were the local ones doing it in our hometown. I could see them at a show, around town or on television and radio. Creating and sharing art and music seemed like an attainable and worthwhile goal. It has been an honor to work alongside many of the people who inspired me back then and not only to hear how their artistries have evolved, but to also help carry out a harmonious visual aid to such a wide range of beautifully-crafted auditory experimentations.

 

Today our technology is far more advanced, while simultaneously user-friendly and accessible at low cost. We can film, edit, record and share ourselves from our phones in a single sitting (and on most days, I attempt just that). We have all the music, films and information at our fingertips always. There’s no reason not to make something yourself (or with your friends) and share it with all of us, in your hometown— for those of us who are paying attention.

 

 

Stereo chickens

Stereochickens2

Stereo Chickens  @ Thursday Cedar Open Mic , 05-14-15 

Oakland: No One Really Cares. But we are all really tight.

 

Jon HallNot everyone who grows up in the Antelope Valley music scene stays here. Some move to other cities and carry part of the AV with them. Jonathan Hall is one of those people. Jon is an interesting man. Originally from this Southern California desert, Jon has lived the Bay Area for many years. He’s an artist (with a proficiency for being able to turn anyone into a cat), musician, writer, and a unique perspective on things. Anyone able to catch his band Hello, Yes This Is Dog can testify to this. So here’s his perspective on the music and art scene in Oakland, California. Enjoy.

 

Here’s the thing with scenes: it is a noun that is used to describe people you know or a place that you make yourself think that you associate in. The words alone, “S-C-E-N-E,“ comes off almost fictitious (the word is heavily used by screen- writers and English teachers).

 

In music, among the dotted county lines of civilizations, it is easier for us as listeners to generalize the types of sounds we hear based upon (here it comes again…) scenes. In the words of Mr. Oberst, “I’m a goddam hypocrite.”

 

So, welcome to Oakland California (population 400,000). It is divided by a bridge covering approximately 7 miles of motionless saltwater known as the San Francisco Bay, whereas the city of San Francisco is directly on the other side. Oakland consists of literally hundreds of bands and thousands of musicians (www.eastbayexpress.com) It is virtually impossible to live a lifetime and say, “…yeah, I’ve heard all the music in the bay.”

There ‘s a plethora of romantically practical reasons to live in Oakland for artists, but to discuss a few big ones:

There are a lot of job opportunities and rent is reasonable (renting a room is roughly around the same price as somewhere in downtown LA/echo park/eagle rock etc.) and you can pretty much pay it by locking anything from entry level 9-5, retail, bartending, financial aid, etc. There’s also tons of free-lance to grab onto based on the high level of art galleries, festivals, writing blogs, magazines, music studios etc.

 

There’s a giant variety of creative people. There’s a giant variety of non-creative people. Either way, life in Oakland is very open-ended and everyone is doing something. Hence, plugging in a guitar and tape recorder from your bedroom can go very far and it is happening all over this city.

 

You also don’t need to pay for a car, insurance, or parking. You can easily get to a show, bar, work, friends house, school etc. via foot, bicycle, cab, subway or phone app. (There is a cool shit happening at a dive bar, house show, music venue, social club, literature reading every single day/night) so getting around and exploring is a virtue to many. Even if you’re more of the recluse type, just knowing that there’s a potential adventure waiting down the street can be a huge convenience!

 

Call it a community, call it magic, call it what people in Oakland call it: “I dunno… I guess it’s weird or whatever.” I mean yeah, there are a lot of people here who do art. I think that’s all we really need to know and that every individual should check in, check out and gather their own observations from whatever the heart sees, hears and feels.

 

OAKLAND: NO ONE REALLY CARES. BUT WE ARE REALLY TIGHT..

 

A town/city simply does not need a tightly knit ‘musical community’ in order to succeed (succeed? What the shit does that even mean?!). What really matters is that you, as one person, creates art. Take that art and show it off. Show it off to yourself. Send it to your girlfriend. Send it to your boyfriend. Show if off to your friends. Show it off to random people. Show it off around town. Show it off in the town next door. Save up for a car, quit your stupid job and take it even further. Get a wireless connection and show it off to the world. As long as you are breathing and creating, others will notice. Some will vibe you. Some will curve you. And some will just straight up bite your shit. Come to Oakland and you will experience a heavy dosage of this. But more importantly, stay right where you are and create your own batch.

 

spots for shows:

The Night Light

  • The Legionairre
  • World Rage Center
  • Lobot Galley
  • The New Parish

–     Jaguar Karaoke (cheap private rooms byob)

 

bands to black out to:

–     Lumerians

  • Thee Oh Sees
  • Golden Drugs
  • Meat Market
  • Mallwalk

 

artists who got their stardom from here:

En Vougue

  • Too $hort
  • T u N E y A r D s
  • Del Tha Funkee Homosapien
  • Hieroglyphics
  • MC Hammer
  • Keak Da Sneak
  • Mac Dre
  • Anticon Records